Reaching
Nora Hikari
I used to be unafraid
of holding: would catch minnows
with my bare hands, waist-deep
in Sand Lake. Child fingers
unabashed like ruddy eaglets,
snapping gleefully to feed
my yellow bucket homeschool.
Something changed
by the time I met the parakeet.
She thrummed on my finger,
heart like a little wind-up
toy, and for the first time
I was afraid of killing.
Why won't you touch me,
she would ask me again,
and instead of lying
I would say her name
like some kind of
substitutionary atonement.
Easier than saying
I've scaled too many
lovebound salmon,
pinched too many antgirls
into black-blue dreaming
to trust my hands with
peace. You don't know me.
You don't know that I was built
in the hands of a fisherman,
wicked fingers baited with
gospel, taught second-nature
the required energetic processes
for life. My Chinese grandmother
greets us with Have you eaten?
Leads us deeper into the house
where my father, as a child,
lost all his milk teeth at once.
I am at the aquarium.
She is gentle and asks me
to stroke the anemone with her.
Feel the way it stings.
I am reaching into the water
and I am touching. I am touching.
I am touching.
Nora Hikari (she/her) is an emerging poet and Asian-American trans lesbian based in Philadelphia. Her work has appeared in Perhappened Magazine, Ogma Magazine, and Dust Magazine, among others, and her poem Deer-to-Fish Transition Timeline has been nominated for the Best of the Net award. She can be found at @norabotbot on Twitter or at her website norahikari.com